April 26, 2005

SIZE 9



New site alert... Size 9 are a South London based Jazz/Funk/Hip-Hop/DnB/Latin/fuck it they play everything band who's new site incorporates everything from band profiles to photos shot by yours truly on a wickedly beautiful morning in sunny Croydon, plus downloadable wallpapers featuring gangster granny Gwen. Take a peek...

www.sizenine.net

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April 25, 2005

Rinsed Again

Thanks to Blackdown for this offering which includes links to another episode in Prime Minister Yunx's weekly Rinse Show this time featuring Youngsta and D1 B2B and some Grime and Dancehall gems.

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SUBLOADED photos

Forward Thinking>>

Archived Photos: FORWARD>> APRIL 21 05 with Digital Mystikz and Roll Deep.

Three things that made last week's now bi-monthly Forward>> so damn good:

1. The basslines. Had Plastic People in fact been some little shack in the Alps as opposed to a small but solid basement club in East London, Loefah's latest track (which we'll call Envy due to it's vocal sample), dropped during another big Mala set would have caused a state of emergency avalanche. My ears were hurting significantly afterwards and I'm sure that this ice cold beat which sent shivers up and down my spine is partially to blame, a warning to all those yet to experience the true power of the DMZ sound through the left hand speaker stacks at Forward>>

2. Witnessing two of the biggest and baddest stops on the map of London's underground sounds join together in an amazingly unexpected and flawless way. Watching Wiley, Jammer and God's Gift and other members of Roll Deep go mental during Skreamz Late Night Request Line and Coki's Intergalatic was a sight to behold as was seeing Skepta jumping on the mic during Mala's set which brought about a moment of shock. Further still, I finally understood what all the fuss is about after having my Grime Live chastity belt undone with a rare set from eski-boy Wiley.

3. Receiving a full on dose of Guiness Power. Many heads (including myself) had said that Digital Mystikz should have been booked for Forward ages ago, and what with the success of the first DMZ allnighter and of course, the recent Subloaded, seeing them at Forward was something I expected to be simply alright in comparison. However, the vibes that the Mystikz conjure up practically everywhere they coupled with the weird twist of fate that brought the presence and enthusiasm of some of Grime's biggest names down to Plastic People, confirmed that good things really do come to those who wait.

Linx:
Plastic People, DMZ Sound Force
Roll Deep Crew, Wiley

April 20, 2005

Pinched

Bristol is making big steps to become an important nerve centre outside of the capital for the dubstep scene. One of the central figures behind the growth of the Bristol scene is dj, label owner and producer Pinch who as well as being one half of the duo that have brought us bewitching 'Alien Tongue,' has managed to pull off one of the biggest, baddest raves in the scene (Subloaded) and just landed himself a set at the next DMZ all nighter line-up.

Words and interview by Appleblim

Appleblim How did you get into the whole dubstep scene?

Pinch: I didn't really get into dubstep until after I made the pilgrimage to FWD>> with some friends about 18 months ago - walking in on a mind blowing Kode9 set. Until then I’d picked up the odd Tempa bits and some grime but never really realised there was an active scene pushing this dark, atmospheric side of garage that left aside any pretentions of the UK G scene. Instantly hooked I was!

AB: 'Pop Pop' by Vex'd on your Subtext label was a huge tune both in the grime and dubstep world. How did you hook up with Vex'd, and were you surprised with the response?

P: I met Jamie from Vex'd a few years back when he lived in Bristol for a while, through Ginz (30Hz). I was seriously impressed when heard 'Function' (which was written about 3 years ago) and thought it was the best bit of breakbeat I'd heard at the time, loved the filth factor.

I always thought Pop Pop would do well but it was a surprise to see it picked up by DJ's from so many different genres - Kode9, Mark One, Plasticman, Si Begg and even electronica heads and record shops (Boomkat loved it as did Small Fish). That's the sign of a great track in my opinion, and its still my favourite track that we've released.

AB: How long have you been putting on nights in Bristol, who have you booked and how has it been going down?

P: I've been putting on nights regularly for about a year and a half - mostly under the name 'Context', which started with a mixed music policy taking in dub, electronica, broken beat, dubstep, breaks and drum & bass. The dubstep side took increasing precedence as the night built up, though until the end of last year the night always ended with a d&b set but never on a jump-up tip, more the breaky/techie/dubby stuff. Dubstep wise Vex'd and Loefah have graced the decks as have Cyrus (Random Trio), Distance, Search&Destroy and SLT Mob and myself, Blazey, P Dutty and a German guy called Bad-Jah who's single handedly holding down the scene in Berlin.

AB: Do you think Bristol could serve as important a power source for Dubstep music as it did with Drum and Bass?

P: Yeh - I reckon its already going that way. Context now hosts a room at Bristol's longest running d&b night - Drive By, and important recognition that its fitting into place in my opinion.

AB:What did you think of the recent Subloaded rave you put on with Bristol grime innovator DJ Blazey

P: Immense! I think the sound has finally found it's home in Bristol, that venue and the soundsystem that I hired in were a lethal combo. It's weird because in some ways it's like a pikey squat house with bouncers on the doors with people selling mushrooms and laughing gas inside. One of the most pleasing things for me is to see familair faces but this was even better cos their were loads of faces that I didn't know, which is a sign that things are really picking up. I'm just in the process of booking a date for the next one, which should be Autumn. I'm only gonna do it a couple of times a year so that I can really put a lot of energy and time into it because I want it to be a date in everyone's diaries.

AB: How do you feel about being asked to play at the next huge DMZ rave?

P: Honoured.

AB: Which producers/tunes are you really feeling at the moment?

P: Digital Mystikz and Loefah have been on fire recently - Mala and Coki in particular dropped some rhythms at the last DMZ that my head still hasn't got over! I've also been strongly influenced by Plasticman, Kode9 and Vex'd - who have each built an excellent, unique sound for themselves. Everything coming from the dubstep scene has been influential to be honest though -the quality levels are just too high!!

AB: What's coming up from you in the coming months?

P: Well, watch out for my first collaborative release next week even! We've started a new imprint called Tectonic, kicking off with two tracks by me and P Dutty (aka 30Hz) - War Dub and Alien Tongue. War Dub got played on Radio One the other night even - on the Breezeblock show.

AB: Anything else you'd like to add?

Boing.


www.subtext.co.uk
Deeper > Subloaded Review

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TLC

Apologies if u notice anything weird about the site (aside from the incessant fan club ramblings and stupid photos). I'm trying to iron out a few creases. Please let me know if you notice any broken links etc...

Ta!

April 19, 2005

Sub loaded indeed


enginepower
Originally uploaded by infinite.


Archived Photos: Subloaded Allnighter @ the Black Swan, Bristol. April 15 2005

From the exterior appearance of the Black Swan pub, it was obvious that Subloaded was to be a wickedly grimey, old school rave affair (my favourite nah mean) but by no means was I prepared for what was beyond. Accidentally walking into the dub and reggae filled front door, we were directed to the car park which as we walked through, introduced our bodies to what was in store by fueling our footsteps with bass. Having greeted Pinch- head honcho of the Subloaded organisation and promotional team, we bowled on in and 5 minutes later, found ourselves in the busy and slightly worse for wear bar with Red Bull (apparantly made with Bull's Balls) in our hands, served in plastic cups reminiscent of school disco days.

After some meetings and greetings (hello Appleblim, Engine Room (pictured), Gutterbreakz), I headed off into the main room, via a dark corridor which offered more trips than Thomas Cook (no relation of mine unfortunately). Laughing gas balloons and mushrooms are unseen at London dubstep events, neither in fact, are the bright young things flying high on the dancefloor some of whom appeared to be on their maiden voyage into the infinite skies of the sub low sound.

I walked onto the dancefloor just in time for the second half of Cyrus' (Random Trio) set in which he played a deep, dark and bassy mix of Loefah, D1, Mystikz and of course his own stunningly constructed tunes. Great to hear Lost City on a sound system as a huge, and truly agreeable Dissident sound system. I'd heard that the bass these bad boys produced was "fukkin crazy" but it really did take the piss, with the likes of Goat Stare blowing my ears drumz and contents of my half built Rizla (Loefah owes me one) into the dirty rave night air.

The shape and size of room itself suited the sound nicely, and gradually warmed up as the crowds flocked in to hear the wrath of the Mystikz b2b Loefah and Sgt Pokes unleash itself. The DMZoners played yet another incredible set- one which they obviously enjoyed as much as the crowd. This time, the wait for the dancefloor riddim Neverland was replaced with a wait for the drivin bass of 'that Coki riddim' aka Haunted which shocked all inside last months historic DMZ allnighter. The wait was a long but pleasurable one- dropped second to last with a whole lot of bass heavy beats in between that squeezed every drop of sound from the speakers. Tunes that particularly screamed out were Kode9's Blues, Skreamz Angry Envy; a new big, bad and cold killa from Loefah, reportedly produced the night before and Mala' Antiwar Dub, a warm and refreshing 4x4 beat and a nice note to end the set on.

Plasticman also played a huge set, despite struggling with the stressed right hand deck needle. Dammit, the night was so peachy, something had to test the DJ's. Cha Remix and Shallow Grave (now classics) were well received as was a new to me MC track which was quite simply fukking brilliant. The set in general was slightly dislocated and psychedelic and was consumed with vigour by the now mashed crowd.

By the time Vex'd hit the stage, I was ready to hit the road home via the M4 in an incredibly uncomfortable hired Ka. Kode9 humming driving bass lines and the most awe inspiring 5 in the morning ground fog gave the journey an other worldly vibe and added to the feeling that the sounds personified by the likes of Kode and the rest of the free bass thinking circle- Digital Mystikz, Loefah, Skreamz, Chef, Random Trio, Youngsta, D1 are making a huge and indelible impression on the current musical landscape.

Props really and truly have to go to Pinch and the Brizzle's team who have managed to build one helluva strong suspension bridge between Bristol and what is predominantly a London scene. It's wonderful to travel to a different part of the island and feel not just welcomed but honoured to be there, and even more satisfying to see a completely different crowd totally buzzing on the vibes. From the movements of the crowd and the artists, the word on the forum and my own experience, I have no doubt that what I witnessed was not just the merging of two cities united in sound and energy but a room full of people falling in love.

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April 06, 2005

They lied when they said there was no air in space



Originally uploaded by SANEASITNEVERWAS.


www.blt.blogspot.com

Yiiiiiihhhh get your lugs round this lot:

top ten



808 Love/ I - Skream (dub)

Neverland/ Walk Alone- Digital Mystikz (dub)

Violent U Turn- D1 (dub)

28 Grams- Loefah (dub)

F**kaz- Kode9 & Daddi Gee (dub)

Monsoon Remix- Skream/ Loefah Remix (dub)

Goat Stare- Loefah (dub)

Skank 2005 - Benga (dub)

Traitor- Skream (Ital)

Late Night Request Line- Skream (dub)

as seen on dubplate.net

April 01, 2005

I've said it before and I'll say it again...


Pure Youngsta Style
Originally uploaded by soulsnatcha.
...Youngsta for president

I locked into Youngsta and Task's show just in time for 'the power hour' and kicked of a mean party in my room with Skreamz 'Late night request line.' Smokes, a cup of tea and Rinse FM on a Thursday aint a bad late night affair.

If you didn't listen you missed out on a big show. Task's energy gravitated through the speakers as Youngsta took all headz (I heard ya!) on a special Skreamz and Loefah journey. 'I'/808 Bass into Goatstare into the flutes of Monsoon remix and an evil teaser of Horror Show is one helluva super troopa power move when executed by Youngsta. As if we weren't already tormented enough with his oh so baad habit of mixing dark, moody bass lines with warm dub laced tracks, he then dropped in some D1 before hittin with Twisup remix into Neverland. My stomach is still churning and my toes tingling after this one. The only problem is, my speakers are now fukked.

www.rinsefm.com

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